Feiyufu (simplified Chinese: 飞鱼服; traditional Chinese: 飛魚服; pinyin: fēiyúfú; lit. Han Chinese clothing which first appeared in the Ming dynasty. It is also specific name which generally refers to a robe (generally tieli) decorated with the patterns of flying fish (although the flying fish is not the flying fish defined in the dictionary). Chinese: 飞鱼蟒衣; pinyin: Fēiyú mǎngyī; lit. The feiyufu worn by the Ming dynasty imperial guards reappeared in the 21st century following the hanfu movement and is worn by Hanfu enthusiasts of both genders. The flying fish decoration looks very similar to the python (mang) pattern on the mangfu (Chinese: 蟒服; lit. The feiyufu is typically in the form of tieli (a robe with a y-shaped cross collar, with either broad or narrow sleeves and pleats below the waist) decorated with the feiyu pattern. The early flying fish ornament were characterized by the presence of double wings while in the middle and late Ming dynasty, the flying fish could only be distinguished from the python pattern by the presence of its fish tail instead of a dragon tail. The tieli (Chinese: 贴里) originated in the Yuan dynasty in a form of Mongol robe known as terlig. Despite the repeated prohibition of Mongol-style clothing, especially during the reign of the Hongwu Emperor, some Mongol clothing from the Yuan dynasty remained. The feiyufu appeared in the Ming dynasty and was unique to the Ming dynasty. After being adopted in the Ming dynasty, the tieli became longer and its overall structure was made closer to the shenyi system in order to integrate Han Chinese rituals. It is a form of tieli decorated with flying fish patterns. Chinese: 蟒服; lit. The feiyfu was also a type of cifu (Chinese: 赐服; lit. In 1447 AD during the reign of the Zhengtong Emperor, the Ministry of Works issued an edict which would put artisans to death and send artisan’s families to frontier garrisons as soldiers should the artisan produce feiyufu among other prohibited clothing for commoners. Under the rule of the Yongle Emperor (r. The edict was issued to stop the transgressing of dress regulations. Emperor Zhengde (r. 1505 – 1521 AD) bestowed a feiyufu to Song Suqing, a Japanese envoy, modern wedding qipao in an unprecedented act. He also wrote in “the beginnings of the bestowals of dragon robes to Grand Secretaries” that the feiyufu was bestowed to the six ministers, the grand marshals with the mission to inspect troops, short cheongsam and to the eunuchs who were servicing in the houses of princes. Shen Defu (1578 -1642 AD) also noted the emperor would could bestow a red feiyufu to a guard which was promoted to court guard. Harvard Journal of Asiatic Studies. Volpp, Sophie (2005). “The Gift of a Python Robe: The Circulation of Objects in “Jin Ping Mei””. 65 (1): 133-158. doi:10.2307/25066765. Boston, US: Tuttle Publishing. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Zhao, Feng (2015), Lu, Yongxiang (ed.), “Weaving Technology”, A History of Chinese Science and Technology, Berlin, Heidelberg: Springer Berlin Heidelberg, pp. Ding, Ying; Li, Xiaolong (2014). “On the Decoration and Symbolization of Chinese Ancient Official Uniform in Ming and Qing Dynasties”. Proceedings of the 2014 International Conference on Mechatronics, Electronic, Industrial and Control Engineering. Vol. 5. Atlantis Press. Yuan, active Liu. Cambridge, Mass. The right to dress : sumptuary laws in a global perspective, c. Burkus, Anne Gail (2010). Through a forest of chancellors : fugitive histories in Liu Yuan’s Lingyan ge, an illustrated book from seventeenth-century Suzhou. Cambridge, United Kingdom. 2019. p. 1200-1800. Giorgio Riello, Ulinka Rublack. Acta Orientalia Academiae Scientiarum Hungaricae. Shea, Eiren L. (2020). Mongol court dress, identity formation, and global exchange. New York, NY. p. Cho, Woohyun; Yi, Jaeyoon; Kim, Jinyoung (2015). “The dress of the Mongol Empire: Genealogy and diaspora of theTerlig”. Huang, Ray (1981). 1587, a year of no significance : the Ming dynasty in decline. New Haven: Yale University Press. Yuan, Zujie (2007). “Dressing for power: Rite, costume, and state authority in Ming Dynasty China”. So, Kwan Wai (1975). Japanese piracy in Ming China during the 16th century. Frontiers of History in China. Michigan State University Press. This page was last edited on 21 June 2024, at 16:33 (UTC). By using this site, cheongsam plus size dress you agree to the Terms of Use and Privacy Policy. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
