4. Modified hanfu (改良汉服/gailiang hanfu) and hanyuansu/汉元素 (hanfu-inspired fashion), which do not fit in the orthodox view of hanfu. Yingluo (simplified Chinese: 璎珞; traditional Chinese: 瓔珞; also written as 缨络; 纓絡; from the word keyūra in Sanskrit which was transliterated into jiyouluo (积由罗) in China) is a ring-shaped neck ornament or fashion jewellery of Buddhist origins in ancient China with its earliest prototypes having roots in ancient India. The common use of turbans on less formal occasions, among gentlemen at the time, reflects that their heads were closely cropped, or shaved, to allow the wearing of the elaborate wigs that were the fashion in Europe in the century from about 1650 to 1750, and when wigs were off, some kind of head cover was useful. Turbans were formerly associated with the upper class, and many men in the cultural elite still wear turbans. 3 Performers playing female roles could also wear a xuezi called nüxuezi, which was also used as an informal robe. The ethnic Kinh robe (i.e. the traditional áo giao lĩnh, a type of crossed-collar robe, black hanfu which was identical to the ones worn by the Han Chinese).
Chenyi Women Chenyi is a type of Manchu’s women informal dress and leisure clothing worn by imperial consorts; the dress is one-piece and has no slit on either sides. The turban style head dress is then cut and wrapped around the head, then tucked in front. It is worn in many different ways across Iraqi Kurdistan depending on the style of the locality; e.g. the Barzani Kurds are a tribe which wears the turban in a colour (red and white) and style which is typical of their clan. A clothing style incorporating features of the Hanfu and the Hufu became popular, based on their forefathers. Some clothing history records call it the high-waisted ruqun, and it was later changed to qixiong ruqun according to the current people’s examination and certification of it. There are several representative styles of hanfu, such as the ruqun, the aoqun, the beizi and the shenyi, and the shanku. Royal blue is usually worn by those who are learned in the Sikh religion and are patriotic about their traditions and culture.
Blue was worn for the maginoo nobility class only, red putong for the maharlika warrior class, and other colors like yellow or natural hue for the timawa freeman/raiding caste, and alipin slave castes, respectively. The putong was historically worn by men of nearly all major ethnolinguisitc groups in the country, such as the Bisaya, Tagalog and Ilocano, before the mid-17th century, but had waned in lieu of the western hat since the coming of Catholicism in the north and subsequent colonization under Spanish and then American rule. As Western fashions evolved, so did the cheongsam design, introducing high-necked sleeveless dresses, bell-like sleeves, and the black lace frothing at the hem of a ball gown. In modern times, many Kurds use black and white Ghutra and roll them into turbans. These putong or turbans can be ornately woven or designed, and act as a status symbol for the wearer. Among Muslims, the putong can signify the status of its wearer. Muslim men and imams who have been on the Hajj pilgrimage have traditionally opted to wear the keffiyeh as a putong instead.
The three chiefs all wear yellow turbans. However, before Armenia became a Christian nation, turbans were a common part of the daily apparel, just as in other Middle Eastern countries. Though not common in daily apparel, turbans are sometimes worn by men ceremonially (often with beards), as a symbol of national identity during celebrations and festivals. The khăn vấn was believed to have been influenced by the Cham sometime during the 18th century though similar turbans are worn by surrounding ethnic groups in Northern Vietnam and Southern China, such as the Zhuang, Hmong, and Yi people. A lot of people think that pink is a girl’s exclusive color. The earliest depictions of Xianbei and Han Chinese people wearing lapel robes in China also date back to the Northern Wei dynasty. It no longer has religious significance and the origin dates back to the end of the Tondo era (circa 900s – 1589). Most Babuyan settlers fled the Philippines in 1589 when Spain began to invade the Philippines. 289 Its structure can be traced back to the late Northern Wei dynasty and continued to be used until the Five dynasties and Ten kingdoms period.
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