Over the last decade Hanfu enthusiasts have grown in number and don the often richly patterned and voluminous garments of the past to meet with friends or go about their everyday lives. While it is hard to pin down exactly what constitutes Hanfu – it is a form of dress that has evolved over thousands of years – the most popular styles seeing a revival are modern interpretations from the Tang, Song, and Ming dynasties, three of the most prosperous periods in Chinese history. They vary in styles depending on regional culture. Meanwhile, Hanfu styles considered exclusive to women include: Chest-high Ruqun, Daxiushan, Aoqun, Chang Ao, and U-Collar; while styles considered exclusive to men include: Dachang, Daopao, Zhiduo, Lanshan, Tieli, and Yisan/Yesa (again, these lists are by no means exhaustive). The first People’s Congress in 1954, men are to wear the Zhongshan suit as fashionable and progressive. Chinese robe, which was derived from the Qing dynasty qizhuang, the traditional dress of the Manchu people, which were worn by Manchu men. This garment, a variation of the traditional Hanfu robe, was straighter and more fitted.
Therefore, it is known that the left part of the pianshan was actually just the inner robe, while the right part is to cover the shoulder. While qizhuang was worn in the dominant sphere of society – ritual and official locations, Hanfu continued to be worn in the subordinate societal sphere, such as in women’s quarters and theatres. Some forms of collars were indigenous to China while others had been adopted from the Hufu of other non-Han Chinese ethnic minorities and/or from the clothing worn by foreigners. 103 When used by the ancient Chinese literati, the concept of pifa zuoren became a phrase, chinese traditional clothing men which held the symbolic of foreign people who were living a barbarous and civilized lifestyle; this concept also became a way to emphasize the customs differences between the Han people and other ethnic minorities and draw the line to distinguish who were considered as civilized and barbarians. 284 The Sogdians and their descendants (mostly from the merchants class) living in China during this period also wore a form of knee-length yuanlingpao-like kaftan that retained their own ethnic characteristics but with some East Asian influences (i.e. Chinese and early Turks).
Since starting to wear Hanfu, Li Doudou said she has attended a class on traditional tea ceremonies. Seven small stone beads and 125 perforated animal teeth and other decorations were seen in the mountaintop cave, with long-term wear and tear marks on them. It was also popular to wear Hufu. Wang, Guojun (2020). Staging personhood : costuming in early Qing drama. Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press. For example, during the Tang Dynasty, a more open and international environment led to adaptations in clothing styles, incorporating elements from as far as Persia and Central Asia. Traditionally, Hanfu featured wide sleeves and a flowing silhouette, but during the Qing era, it evolved into a style more aligned with the straighter, structured Manchu fashion. During the Song dynasty, the official attire worn by Song court officials was the yuanlingpao with long, loose and broad sleeves. After the establishment of the Ming dynasty, the emperor restored the old system of the Tang and Song dynasties. The Ming dynasty yuanlingpao and yuanlingshan were typically characterized by the “cross-plane structure”, traditional hanfu wedding dress with the back and front being bounded by the middle seam of the sleeves.
The sleeves could be tight or loose, with tight sleeves designed to facilitate ease of movements. Longer sleeves and wider collars are also common to help retain heat. The sleeves of the yuanlingshan are mostly in a style called pipaxiu (Chinese: 琵琶袖; pinyin: pípáxiù; lit. Chinese: 大褂; pinyin: Dàguà; lit. In Ming dynasty, the dahu was either a new type of banbi (Chinese: 半臂; lit. During an Imperial Funeral, Ming officers wore a grey-blue yuanlingshan without a Mandarin square, wujiaodai (Chinese: 烏角帶; pinyin: wūjiǎodài; lit. The zhiduo was also called daopao by Wang Zhishen in the Ming dynasty although the daopao refers to another kind of paofu. The precursors of both the changshan and the qipao were introduced to China during the Qing dynasty (17th-20th centuries). Song dynasty empress wearing diyi with a bixi. Since the Tang and Song dynasties, dragon robes and yellow have been exclusively used by the royal family. During the Northern and Southern dynasties, the guiyi underwent further changes in style. Cloak style clothing such as headscarves and drapes soon became typical attire, with increasingly complex accessories that have had a significant impact on the formation of clothing systems.
