In the Song Dynasty, Hanfu stood out for its intricate patterns and motifs, deeply rooted in cultural symbolism. The choices of red and orange bring to life the vivid palette of an ancient dynasty, while embracing a fresh, modern vibrancy. 206 Up to the Song dynasty, the tuanshan appears to have the most common types of the fans in China. The Song Dynasty introduced new garment types like the yi, a narrow-sleeved, cross-collared robe popular among scholars and officials, symbolizing intellectual or bureaucratic status, often paired with a bian, a long, narrow scarf. Zhang and her friends sometimes visit places with ancient architecture, like Beijing’s Forbidden City, where emperors once resided, hanfu qing dynasty to take photos in costume and post them on social media. Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Vol. Prior to the 1930s and the 1940s, the cheongsam was also a two-piece set of garment which was composed of a long robe and was worn with a pair of trousers.
Xiuhefu (Chinese: 秀禾服) is a two-piece garment set of attire which was designed to look like a style of traditional Chinese wedding dress and follows the traditional Chinese yichang clothing system. Chinese researcher Hua Mei (Chinese: 華梅), interviewed by student advocates of the Hanfu Movement in 2007, recognizes that defining hanfu is no simple matter, as there was no uniform style of Chinese fashion throughout the millennia of its history. History of Ming. 帝因复制《忠静冠服图》颁礼部，敕谕之曰：”祖宗稽古定制，品官朝祭之服，各有等差。第常人之情，多谨于明显，怠于幽独。古圣王慎之，制玄端以为燕居之服。比来衣服诡异，上下无辨，民志何由定。朕因酌古玄端之制，更名’忠静’，庶几乎进思尽忠，退思补过焉。朕已著为图说，如式制造。在京许七品以上官及八品以上翰林院、国子监、行人司，在外许方面官及各府堂官、州县正堂、儒学教官服之。武官止都督以上。其馀不许滥服。”礼部以图说颁布天下，如敕奉行。
According to the Ming dynasty’s Government letter against Toyotomi Hideyoshi, the Ming Government bestowed on him a set of changfu (Chinese: 常服羅) containing a red yuanlingpao with qilin mandarin square (Chinese: 大紅織金胷背麒麟圓領), a dark blue dahu (Chinese: 青褡護), and a green tieli (Chinese: 綠貼裏). Ming dynasty-style round-collar robe decorated with dragons, which was worn by Han Chinese women as a court robe; a xiapei (Chinese: 霞帔), which is a type of long scarf in Ming and a type of stole in Qing dynasty; a mangchu (Chinese: 蟒裙; lit. Chinese brides also used a type of moon-shaped tuanshan in traditional Chinese wedding called queshan. The ceremonial rite of queshan was an important ceremony in Chinese wedding: the bride would hold it in front of her face to hide her shyness, to remain mysterious, and as a way to exorcise evil spirits. After all the other wedding ceremonies were completed, such as drinking the hejin wine, and after the groom had impressed the bride (e.g. reciting poems), the bride would then proceed in revealing her face to the groom by removing the queshan from her face.
This ceremonial rite is referred as Etiquette of removing fan; the performance of such rite can be traced back to the Tang dynasty and continued in the Song dynasty. The Tang suit is a duijin (对襟, a kind of Chinese-style jacket with buttons down the front) with a Mandarin collar (a band collar) and “frog” buttons (knobs formed of intricately knotted cord). Aoqun (袄裙): Similar to the Ruqun, but the top (ao) is a jacket instead of a blouse. Xiuhefu are added on top of the pleated skirt, like a pendulum; it can also have more than two visible flat panels. The term ruqun refers to the traditional two piece attire of the ancient Han Chinese consisting of a skirt and an upper garment called ru. The qungua is composed of two separate garments: a gua (Chinese: 褂; pinyin: guà; Jyutping: gwaa3; lit. Tuanshan (Chinese: 團扇; pinyin: tuánshàn; lit. The fengguan xiapei is a set of attire which was composed of red mang ao (traditional Chinese: 蟒襖; simplified Chinese: 蟒袄; lit. The qungua is distinct from another Chinese wedding set of attire called Xiuhefu (Chinese: 秀禾服).
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